The California EAR Unit

The California EAR Unit is an American chamber ensemble dedicated to the performance of contemporary classical music. The group was founded in March 1981 and is based in Los Angeles, California.

The original members of the EAR Unit were Dorothy Stone (flute); James Rohrig (clarinet); Amy Knoles and Daniel Kennedy (percussion); Gaylord Mowrey and Michael McCandless (piano); Robin Lorentz and Mary Terranova (violin); Erika Duke (cello); and Rand Steiger (conductor). By 1983 Terranova, Kennedy and McCandless had departed, and Arthur Jarvinen (percussion) and Lorna Eder (piano) joined. After many years with the same personnel, changes began to occur and one by one original members departed and new performers joined the group. Amy Knoles is the only remaining original member, along with long time pianist Vicki Ray, and violinist Eric KM Clark.

The EAR Unit was formed at the California Institute of the Arts in 1981 by a group of students who had all been performing in the CalArts 20th-Century Players under the direction of Stephen "Lucky" Mosko. Inspired by their experiences with Mosko, and aware that Los Angeles at the time did not have a resident contemporary music ensemble, Steiger and Rohrig gathered a group of colleagues together after a rehearsal and in the meeting that followed in the CalArts Cafeteria the idea for the group was developed. The name EAR Unit was chosen sometime later, after many weeks of debate.

In 1983 the EAR Unit performed a notorious concert at the Los Angeles County Museum of Art (one of the first of over 100 they would play there) featuring the West Coast premiere of Elliott Carter's "Triple Duo", a satirical work written for the occasion by Nicholas Slonimsky, and the premiere of "While you were Art", by Frank Zappa. Zappa asked the EAR Unit to perform the work silently while playing a synthesized recording, and they complied with his wishes, learning the piece and matching the recording precisely. But after the concert he told the Los Angeles Times that they played it this way because "they couldn't cut it" and that the purpose of the piece was "to expose how phony the new music scene was".

In the 1980's the EAR Unit often juxtaposed strikingly different works on the same program. At one of the first concerts in 1982, in a bank building in downtown Los Angeles, they presented a program that included works by Steve Reich, Pierre Boulez, Frederic Rzewski, and Donald Martino. Later, in San Francisco they combined Martino's "Noturno" with Stockhausen's "Stimung", and Subotnick's "Key to Songs"

Since 1987 the California EAR Unit had been Ensemble-in-Residence at the Los Angeles County Museum of Art. During that time they have presented over 500 premieres of musical works. They now hold court at REDCAT in the Disney Hall Complex in downtown Los Angeles. See www.earunit.org for more information.

In 2001 The EAR Unit received a Letter of Distinction from the American Music Center. Among the many other composers the EAR Unit has commissioned and premiered are Louis Andriessen, Eve Beglarian, Henry Brant, Joan LaBarbara, Annea Lockwood, Scott Lindroth, Mel Powell, Terry Riley, Erki-Sven Tuur, Wadada Leo Smith and Julia Wolfe.

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